
2025: Vibrerandet / The vibrancy
Helene Johanne Christensen
Helene Johanne Christensen is a writer, artistic researcher, and teacher in creative writing. Her most recent books are the essay book Om kunsten at læse i stedets foldninger (2024) and the loose-leaf artists’ book Havens linjer, tråde & spor together with Peter Kærgaard Andersen (2025). Earlier publications include two poetry collections, Sammenfald (2021) and BLÅ (2018). A wide range of her essays, literary texts and collages have been published in journals such as Ambient Receiver – Journal of Creative Ecologies and Græs & Gyvel – Magazine for Ecology. In her literary and interdisciplinary artistic work, she is particularly interested in relationships between humans and their more-than-human co-inhabitants, connection with place, embodied knowledge, different forms of attention, and how knowledge is shaped and valued. She works at the intersection of poetry, art, and science and is inspired by anthropological methods. Other essential parts of her practice are site-responsive writing workshops, artistic lectures, and poetic and visual registration and documentation of place, especially gardens and their interspecies networks. She holds a master's degree in Comparative Literature and Museology from University of Southern Denmark and University of Copenhagen (2017).
Website: https://helenejohannechristensen.com
Helene Johanne Christensen
Helene Johanne Christensen is a writer, artistic researcher, and teacher in creative writing. Her most recent books are the essay book Om kunsten at læse i stedets foldninger (2024) and the loose-leaf artists’ book Havens linjer, tråde & spor together with Peter Kærgaard Andersen (2025). Earlier publications include two poetry collections, Sammenfald (2021) and BLÅ (2018). A wide range of her essays, literary texts and collages have been published in journals such as Ambient Receiver – Journal of Creative Ecologies and Græs & Gyvel – Magazine for Ecology. In her literary and interdisciplinary artistic work, she is particularly interested in relationships between humans and their more-than-human co-inhabitants, connection with place, embodied knowledge, different forms of attention, and how knowledge is shaped and valued. She works at the intersection of poetry, art, and science and is inspired by anthropological methods. Other essential parts of her practice are site-responsive writing workshops, artistic lectures, and poetic and visual registration and documentation of place, especially gardens and their interspecies networks. She holds a master's degree in Comparative Literature and Museology from University of Southern Denmark and University of Copenhagen (2017).
Website: https://helenejohannechristensen.com